.very bueno workshop & christelle davrieux total pond journey Off a road in the fields of Giez, France, the Pond Journey hut setup appears as a burning wooden monolith. Developed by tremendously bueno workshop in addition to Christelle Davrieux, it takes the form of an architectural prototype along with, in the top part, 2 steeply inclined edges. The materiality of the simple and also slender kind describes the darkness of the bush and the dark boots kept nearby. A human-scale position offers a frame for the substantial garden, its illumination contrasting along with the black layer of the periphery. The void offers the illuminations, different colors, sounds, aromas, and also continuous motion of the all-natural yard right into its form.all graphics by David Foessel a space pierces the monolithic hut's wooden type ' We go to the upper hand of the forest, where the trees go proudly up and down, and along timber storing where the individual hand has set them flat,' discusses the team at super bueno workshop. Distant of the hut rests a variety of hills, extensive industries, and also Lake Annecy, inviting a conversation with its situation. As soon as the few pubs of the step ladder are mounted as well as the initial amount of the big hut is arrived at, its own ground decreases with the help of a gentle incline. The Lake Journey declares a spot of passage, welcoming site visitors to stand, lay, rest, stroll, or perhaps slide. 'Coming from the cozy wood hut at the soul of the burnt timber monolith, everybody will definitely find a rupture to think about the sensation that this shift rouses,' the staff proceeds. It even more triggers a change in between the path where the eye butts on the brownish bark of the boots and the opening on the panorama of the lake.super bueno studio as well as Christelle Davrieux complete Lake Odysseylocated off a pathway in the business of Giez, Francethe hut seems like a burning timber monolithannouncing a location of flow, inviting guests to stand up, prepare, rest, stroll, and even slidethe materiality of this basic type describes the darkness of the brush as well as the dark torsos kept nearbythe void's illumination contrasting with the sinister covering of the peripheryintegrating the lights, shades, seems, scents, as well as continuous movement of the organic yard.